atmosphere
Friday, October 22, 2010
Thursday, October 21, 2010
Sunday, August 22, 2010
And the perfect teal sea in the morning, when I awoke in search of distraction.
I see us walking home.
I hold you tightly in my memories, but you slipped through my fingers.
Monday, August 16, 2010
My fingers are quivering.
Not a full blown shake, but my chest holds no courts. Never waits for a reasonable answer. Just gasps at the thought of dialing and hearing something other than a sudden disconnect.
You don't know. According to the signals you receive, you havent received any. But I try and I quake in the grips of the word.
"I'm trying"
to forget.
to remember.
these few days that made me dependent on you. In chest
(In)dependent. In thought processes that I can control.
Even now I am convinced that it is nothing but sweet words in summer air,
Still I am forgetting your face, and the way you speak. Foreign accent in your native language rolling off my tongue as I pondered the things you'd say paying at the gas station. Funny looks from the cashier
at your mumbled words in my mouth, followed by unsuppressable laughter.
Tonight, paniced breathing when I can't hear it anymore, and I dial for a taste of what I'm pulled from.
Wednesday, July 28, 2010
You're coloured green like a healing bruise, never in full effect of the pain you harboured. Do you twist your thoughts out of reach purposely, or is this lack of emotion only drawn from the nature of a digital age?
I don't know, and wont until I grasp your soft hands, long limbed with fingers I've learned the habits of by now.
How long has it been sice I've held that hand? Less than 365 days and more than a life time. I count them three.two.one.
I am changed, but not concerned. You will love me, as you do, as you always have, and you will be the same, but different.
No longer swollen and plum with childish sorrow. You'll accept your jealousy.
Tune your anger to a fading, sickly green.
Tuesday, June 22, 2010
THINGS I MUST DO
Return Zombieland- Fix Banjo
Buy NMH record Sat.- Buy disposable camera
- Take pictures of everyone
- Clean out tank
Write more- Clean room
Monday, June 21, 2010
I was told by two different people on seperate occasions that I remind them of this character:
Clara
Clara is barely aware of the material world. She is most interested in communicating with spirits and only pays attention to mundane details such as domestic chores in times of extreme necessity. Clara is often described as floating through the world. At times, this refers to her literally levitating, at others it shows the way she is able to ignore much of what she does not want to deal with. Clara’s temper is extremely calm. She inspires great respect and devotion in all those who meet her, from Esteban to his sister Ferula to his foreman Pedro Segundo. Although she can see it in advance, Clara never fights her destiny. She is not, however, passive. When she faces a situation that she does not like, she proceeds to change it in quiet, subtle ways, such as adding little rooms to the big house on the corner bit by bit until, although it looks the same on the outside and is completely transformed. Clara’s character changes very little as she grows from a young girl to an old woman.
Sunday, June 20, 2010
Friday, June 18, 2010
Cody
I think the best way I can describe how my brain works is to explain about the mental map of everything I keep inside my head.
I can remember every where I've ever been in incredible detail. I can tell you where the pens were on a hotel desk I saw once.
22:58Me
ok
22:58Cody
But that's not what's weird. A lot of people can do that. I can tell you what's behind that desk even though I never saw it. It's not what is factually back there, but my brain automatically fills in the blanks with what would make sense to be there.
So the entire planet is mapped out in my head even though I've never seen it. I can tell you what color the alarm clock is on the bedside of a banker in belgium. It won't be anywhere near right unless by luck, but I can tell you what it looks like in my head.
As I see more and more of the world it updates this map with what is really there.
But even as I walk down the street and look at the front wall of a house, I can already see what the inner layout looks like, what the people look like, how they act, etc. Just based on whatever visual or whatever clues I can get.
All this happens automatically.
23:01Me
so when you first see a person you automatically make up your mind about who they are
and they can change it with time
but initally you go into a conversation thinking you know them
because thats what i do, just with people though
23:01Cody
Well to an extent. I know a bit more than meets the normal eye but usually I don't start gathering data until we really talk.
Body language, slight voice inflections, eye movement, how they dress, how they act about how they dress, all this tells me information that I gather and corelate automatically.
23:02Me
so if i were to ask you to read me... what would you say?
23:04Cody
I'm not garunteeing anything. Only met you once but I'll try. You're very conscious of your surroundings in that you won't talk too loud if there is someone sitting nearby. You're loyal to your friends but also you are an individual and occasionally the two ideals conflict. Your purse is new, I think. It looks new and you didn't seem quite sure what to do with it due to the long shoulder strap. You're used to getting what you want but not in a spoiled or stubborn way, it's just a fact of life.
23:05
Thursday, June 17, 2010
Sunday, June 13, 2010
Monday, June 7, 2010
Thursday, May 27, 2010
Wednesday, May 26, 2010
Foreign Seas
I moaned your name before I knew it
And cried to darkened ceilings, searching
Twisted my toes in anticipation, but nothing ever came.
The tides were rising.
I found a floating pace and drifted
Let the seaweed twine around me, pulling
Sought out your boyish voice, and lost it to the current
The signs were apparent.
And I spoke your body before I learned it’s language
Thursday, May 20, 2010
Wednesday, May 19, 2010
Six months. That's right. This dream-like picture shows each phase of the sun over Bristol's Clifton Suspension Bridge taken during half a year.
The image was captured on a pin-hole camera made from an empty drinks can with a 0.25mm aperture and a single sheet of photographic paper.
Photographer Justin Quinnell strapped the camera to a telephone pole overlooking the Gorge, where it was left between December 19, 2007 and June 21, 2008--the Winter and Summer solstices. (That's a15,552,000 second exposure.)
(Dotted lines of light are the result of overcast days when the sun struggled to penetrate the cloud.)
Quinnell, a renowned pin-hole camera artist, says the photograph took on a personal resonance after his father passed away on April 13--halfway through the exposure. He says the picture allows him to pinpoint the exact location of the sun in the sky at the moment of his father passing.
— Comedian : Bill Hicks
Tuesday, May 18, 2010
Monday, May 17, 2010
Sunday, May 16, 2010
Sunday, April 25, 2010
Monday, April 19, 2010
Sunday, April 4, 2010
one minute poetry
Tell me your thoughts
Spilt from the wine you keep balanced
Delicately on the edge of a table
Sanded from the trees in a forest up north
The same wood you use to fill the holes
In the walls you put up
That you just can’t help but peer out of
Pretending there’s a lock
Step through,
You are not a man
You are a splinter in your own universe
A crack in the bottle of every wineglass you’ve balanced
Begging it not to fall.
Sunday, March 28, 2010
but it'd take a busload of high school soccer girls to wash those hospitals off me
oh, am i clean?
nineteen.
they said sex will keep you young and make you older at the same time,
they said sex will have left you aged normally,
and so i guess it's sorta like smoking and walking at the same time
in that it will have left you aged normally
oh, am i clean?
lord, please, why me?
i wish i could feel close to somebody but i don't feel nothing.
now they say i need to quit doing all this random ffff-
now i think my upstairs neighbor hears me masturbating,
and there's other one's peeping through the slits in my curtains
and i never got a name for my shady compulsion
'cause i messed up and kissed my shrink in a jersey city hotel room..
and i know saying all this in public should make me feel funny,
but ya gotta yell something out you'd never tell nobody.
we found the dead fox, and a dozen matchbox cars, when we cut back the hedges on cortelyou place,
how many got lost left so long they grew moss 'cause they recoiled into the shadows of my embrace?
we found the dead fox, and a dozen matchbox cars, when we cut back the hedges on cortelyou place,
how many got lost left so long they grew moss 'cause they recoiled into the shadows of my embrace?
oh, am i clean?
lord, please, why me?
-Yoni Wolf
Thursday, March 25, 2010
Tuesday, March 23, 2010
When I met you
most closely
in the folding slow blink of a rose
in the quiet of February’s locker
in the winter
I heard you in every crackle of the window glass as it tightened under the weight of water
you are not a loud person, you are soft and gentle like spoonfulls of snowfall and sugar
you are an angel spun from under nights
I am bright, sun-clumbsy loving through fumbling thumbs
I am all heavy
you are above me
Back before we loved like knife wounds we were eggs awaiting the breaking an unborn sunrise
limbs winter-thin, simply skeletons in wind, we were open, holding nothing, only prayer
and In the springtime
you are the heat unclasping the valley from the shroud of death
you are the perennial, the broken lock on the chest of rebirth
you are a thousand swollen bellies, aching to burst
you are love in the face of darkness, life dancing in the jaws of dragons
the first night I
let myself love you
hell’s cellar cracked behind my eyes
you were beautiful… long haired sunbeam
I could smell the burning flesh
the gasping breaths
of suffocated lovers
setting fires in the spider’s nest you pound on
a twin-legged bonfire taking arms against the midnight
I do not know
if I can commit
to this suicide
IN THE SUMMER you are colors drunken, children running away from home, you are the sun broken open watermelon, I am chin-deep, guilty mouth,
we stay waking, days stretching out their arms
until collapsing
I know what the hottest part of you feels like and have been nearly eaten by your warmth
have been made slick by your embrace
swam in the grease of your insides
I have known your tongue and pulled from this poem it’s ink
I am still whole
in places
I never thought I could be
still me
even though my skin
still smells
from where she melted into me
I carry him
in my hips
I remember
everything
I have lost
the earth purges things
like bones
that resurface
again
and again
and again
I am standing here
wondering
how he looks,
now
with me
still smeared
all over him
I can imagine
when the sun sets
red
and the city fades away
and you begins to feel earthen again
that roses grow out
from the places
I rested
on you
IN AUTUMN, with everything leaning towards it’s ending
we miss each other from under our ribs
we breathe like cellos
we open our necks
how dare we destroy each other this way
how dare we
so ungrateful
tear each other apart
when we didn’t make
any of these muscles
none of our fingers could tie
so divinely
the fibers of the apexes of stars
and wind them
so divinely
around the most honorable of bones
holding us up
No
it is not our mouths’ power
to diminish each other’s spirits
shadow the suns
blasting out our chests
stars fall
we hit
like flint
somewhere on the way down
The sun itself will dip down to you
Bake your clay just to weave it’s fingers through her hair
Hotter than he is
The fire will search out ice water when he leaves her.
This will fall on your land like a lone flicker of sunshine in 3AM darkness
White light arteries in the midnight’s arm.
in the end
we were
as long as we formed the words
voweled mouths and rounded time
matched lacerations
another toughened tree ring
the ephemera of a pulsing center
honey poured in the gears of a pocketwatch
a wound in the face of the earth
the sundering of a root system
the rythym of twin chests set by a metronome
the requiem of human percussion
Eden Connelly & Brian Omni Dillon
Sunday, March 21, 2010
Thursday, March 18, 2010
Wednesday, March 17, 2010
Tuesday, March 16, 2010
And the record labels call you Why?"